Giovanni Antonio Boltraffiowas an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan. | |||
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St Sebastian Gemälde ID:: 89775 Siehe Galerie in Schweden |
St Sebastian second half of 15th century Medium Oil on wood transferred to canvas cyf second_half_of_15th_century _ Medium_Oil_on_wood_transferred_to_canvas _ cyf |
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The Resurrection of Christ with SS. Leonard of Noblac and Lucia Gemälde ID:: 94064 Siehe Galerie in Schweden |
The Resurrection of Christ with SS. Leonard of Noblac and Lucia circa 1491(1491) Medium oil on poplar wood Dimensions Height: 234.5 cm (92.3 in). Width: 185.5 cm (73 in). cjr circa_1491(1491) _ Medium_oil_on_poplar_wood _ Dimensions_Height:_234.5_cm_(92.3_in)._Width:_185.5_cm_(73_in). _ cjr |
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St Sebastian Gemälde ID:: 97783 Siehe Galerie in Schweden |
St Sebastian second half of 15th century Medium Oil on wood transferred to canvas cyf second_half_of_15th_century_ Medium_Oil_on_wood_transferred_to_canvas_ cyf |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| Giovanni Antonio Boltraffio | ||||||||||
| was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan. | ||||||||||
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